Saddened by the deaths this week of Adam "MCA" Yauch and the outspoken Maurice Sendack. Sendack's work had seen such a resurgence of interest in these past few years, been made so ubiquitous, that I was temporarily blind to it. An interview with Tom McCarthy highlighted structural similarities with Joseph Conrad's Heart of Darkness (c. 1899), recast Max as Kurtz, and made me revisit Where the Wild Things Are (1963); noticing—for the first time—that smart formal game whereby the bordered illustrations progress to fill the page, form wordless double spreads at the carnivalesque climax and fall away once more at the tail end. Proper genius.

The In Sound from Way Out! Gershon Kingly & Jean Jaques Perrey's 1966 thrift-classic which forms the nominal inspiration for both The Beastie Boys' 1996 LP and Stereolab.

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