Out of the studio this week is an 30x40cm print version of the Splashing Whale (one of our earliest surviving card designs) and a monotone version of a house print. We've done limited runs of a house print in the past but mixing three tones of ink with any true precision is tough, the middle shade is never exactly betwixt light and dark, and what works in the pot may not work on paper. Here the tones rely fully on pattern and texture. Signing 100 prints apiece makes my faltering fingers feel funny.


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