Turns out blogging wasn’t quite the breezy, weekly hobby Lisa had hoped. She’s been quite busy putting the shop online & scaling-up for some proper-size prints, so if you ever sense a change of tone, it's me (Edward) typing.
Admittedly, there's been time enough to visit fine friends in Sweden, where we saw the madly underrepresented illustrative work of Jane Bark. A weighty monograph, Jane Barks Bilder, covers the early paired-down exuberance of jobs for H&M, to the more pedestrian but complex style, where a handful of recurrent themes take disturbing shape.
Admittedly, there's been time enough to visit fine friends in Sweden, where we saw the madly underrepresented illustrative work of Jane Bark. A weighty monograph, Jane Barks Bilder, covers the early paired-down exuberance of jobs for H&M, to the more pedestrian but complex style, where a handful of recurrent themes take disturbing shape.
Trying not to let customs notice our bulging luggage, we returned laden not only with Scandinavian ceramic goodies from the lopis (think car-boot sales with no the car-boots), but also two of these lovely prints.
Produced by Johanna Kalin (one half of design duo, Och Studio), these lithographs utilise the shortcomings of the CMYK print process by over-laying and over-printing the re-fed paper stock to create random effects.
Also stuffed into over-head storage were these wonderful vintage Belleri moustache handlebars for Lisa’s bike, salvaged with the expert aid (and tools) of Daniel Rybakken from the scraps of a forlorn 'donor-bike'. Mmm, a pity that one shiny new part suddenly casts others in the shade.
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